BIOGRAPHY 2003

Current line-up:

Juris "Advocate" Rats - keyboards, some (un)vocals
Aigars "Resns" Cervinskis - vocal, guitar
Miks "Ralis-Ralutins" Rullis - drums
Ugis "Kuba" Zemitis - bass

HOLY LAMB was formed in the fall of 1991 by brothers Eriks and Aigars Cervinskis. A main objective for the band was put forward, and that was to play thrash/speed metal music.

At the time, only two members of the current line-up were in the band, Aigars and Qba. The original line-up also featured lead guitarist Eriks Jugans and Aigars' drumming brother Eriks. By the spring of 1993, it became apparent that Jugans had lost any interest to continue his career with the band and subsequently decided to leave due to musical differences. The vacancy was soon taken by Uldis Ludis Elerts, a guitarist well-known in the local heavy rock circuit. Ludis was recommended to the band by none other than Uldis Imalins Sens (a.k.a. Wrong Tale), a former partner in crime of Cervinskis Bros.

A phone-call to Ludis followed immediately, and rehearsals resumed in a new line-up. By then, the band had decided to switch to a softer style of music: traditional rock. Before the band went on playing at local festivals, another line-up change occurred. A free-lancer by the name of Igor Noskov was recruited to fill in on keyboards, but his days with the band were cut short in the fall of 1993. Igors was a highly accomplished musician who was often sought after by local super-groups, so he opted for the big buck and left HOLY LAMB for REBEL, a R & B outfit that was enjoying immense popularity at the time. As soon as Igor had gone, another keyboard wizard joined the band. His name was Janis Valters. Although a musician of the same rank as Igor, he stayed with the band as a permanent member for the next four years.

In 1993 and 1994, the band played numerous festivals and concerts in Latvia and Estonia, and made several recordings as well. Two permanent members were recruited (flautist Ieva Bluma and violinist Eva Bindere), and collaborations with several additional musicians, mainly cellists, followed.

The hard work resulted in the debut cassette album "Bite in the Dust", recorded and mixed in a mere 10 days in the summer of 1994. This recording was engineered and mixed by Talis Timrots, who also recorded the band's first demo "Love to Eat" in 1992.

Only a couple of weeks prior to the recording sessions, the third guitarist was invited to join the band. His name was Valters Valpurgs Feists. It was Valters who wrote an additional section to the song "Too Late", the band's live favourite since 1992. (Ironically, this particular piece has never been played again after it was recorded.) Although a very talented and well-trained musician, Valpurgs didn't last long, because some band members could not get on with him at all. This resulted in Valpurgs, Janis and Aigars quitting the band.

The remaining trio of Eriks, Qba and Ludis soon found a new keyboard-player by the name of Zintis Cepurnieks, and started to write instrumental pieces, which, according to Ludis, were slightly reminiscent of EMERSON, LAKE & PALMER. Perhaps, it was this effort that set the foundations to the choice of direction the band would make a year later. Sadly, with no recorded material left behind, the band decided to call it a day in the spring of 1995.

The split-up was also prompted by various problems concerning the release of the cassette album "Bite in the Dust". At the time, no-one would have believed that the album would see the light of day a year later, in the summer of 1996. Released and distributed by the band, this album is still available from Aigars.

Invitation to do a one-off show at the annual Bildes (Pictures) festival in Riga resulted in the band's resurrection with Janis and Aigars returning on the keyboards and the guitar/vocals respectively. The Bildes festival generated a strong impulse within the band, and more open-air, club and pub concerts were played on the national scale throughout 1996, including the Rock Summer festival in Riga.

At the beginning of 1996, the band recruited a flautist by the name of Deniss Paskevics, who later turned out to be too busy keeping his own band TIME AFTER TIME intact. His stint with the band was only several months.

Throughout 1996, HOLY LAMB were writing more complex music, leading the band to the challenging realm of progressive rock, which has always been a big influence on most of the band's members. However, this move provided yet another change in the band's line-up, which occurred in the summer of 1997 - exit Janis Valters, enter Juris Advox Rats on the keyboards. Originating from the town of Jelgava, he had previously played with HERLIS (now known as CITRUSS), a band from the same town.

The end of 1997 and all of 1998 was a time of busy writing and rehearsing which led HOLY LAMB to recording four new songs in the summer of 1998, followed by the recording of "The Sea", a 16 minute epic. This recording also features female vocals courtesy of Ieva Parsa.

HOLY LAMB's international debut, "Salt of the Earth", was released in November 1999 via Italy's Mellow Records.

The bad news for the band was that one of the founder members, drummer Eriks Cervinskis, left the band shortly after "The Sea" was recorded and mixed (after nearly a year in Germany, he returned to Latvia and since has occasionally been seen drumming with his ex-band on stage). To replace Eriks, a young and promising drummer, Miks Rullis (ex-SILVERGRUVE, now also in HARD NUTS), took the stool behind the drum kit in May of 1999.

The rest of 1999 and 2000 proved to be the most successful time for the band in terms of gigging. Festivals like Forte Riga 2000, AlvariRock '99 (with PAR LINDH PROJECT among others) and a prog-rock evening at Helsinki's Tavastia club (with HOYRY-KONE & UZVA) several months later did a lot to fuel up the band.

In September 2000, HOLY LAMB entered the studio to record new material for the follow-up to "Salt of the Earth". The concept album, entitled "Beneath the Skin" and based on a VERY true story, was completed in April 2002. Probably the most ambitious HOLY LAMB record to date, the band was augmented by guest singers (Orests Silabriedis, Andris Smaukstelis, Valdis Indrisonoks) and flautist Ieva Pudane, who used to be in the band's regular line-up from 1992 to 1994. The album was produced by Aigars, Juris and sound engineer Talis Timrots, a team that was founded in the spring of 2000 while recording a cover version of FINNFOREST's instrumental track "What a Night!" for a Finnish progressive rock tribute album "Tuonen tytar" (released in May 2001 by Mellow Records).

As regards "Beneath the Skin", a licence agreement was signed with Hungary's Periferic Records in August 2002, so be sure to visit our site again for release news!

Meanwhile HOLY LAMB is continuing to play gigs whenever possible as a four-piece band (longtime guitarist Ludis left the band in January 2002 due to musical differences). Of the most recent live shows, the most important have been the gig at Tallinn's Von Krahli theatre (with the current Estonian prog greats CONTUS FIRMUS) and the band's 11th anniversary concert in Riga.

Band contact:
Aigars Cervinskis,
Adress:
Terinu iela 54, Riga LV-1004, Latvia

 


BIOGRAPHY 1999

photograph

Juris Râts
Juris Râts

UIdis Élerts
UIdis "Ludis" Élerts

Ugis Zemitis
Ugis "Kuba" Zemitis

Aigars Cervinskis
Aigars Cervinskis

Miks Rullis
Miks Rullis
    HOLY LAMB (Latvia).

  • HOLY LAMB was formed in the fall of 1991 by brothers Eriks and Aigars Cervinskis. The original line-up also featured lead guitarist Eriks Jugans and bass player Kuba. In early 1993, Jugans decided to leave the band due to musical differences as the band started to change their sound from thrash metal to guitar and keyboards rock augmented by violin, cello and €ute.

  • May 1993 saw the addition of guitarist Ludis Elerts and keyboardist Igor Noskov (now in REBEL, a local R&B outfit).

  • Despite these line-up changes, the band did not cease to play numerous festivals and concerts both in Latvia and Estonia.

  • Igor Noskov left the band in the fall of 1993 as he was involved in too many projects at the same time, which made writing and rehearsing in full line-up rather impossible. Another keyboard veteran, Janis Valters, was chosen to replace Igor, and after 9 months of rehearsing the band was ready to go into the studio to record their first full-length cassette-album. Also, this recording features guitarist Valters Feists who joined the band in the spring of 1994.

  • It took HOLY LAMB not more than two weeks to record and mix what was to become the debut "Bite in the Dust'. The cassettes were manufactured in Tallinn, Estonia, August 1994, but, due to the band's financial problems, the debut entered the Latvian market as late as Summer 1996. It can be explained with the diversity of the band's music which is the reason why the local record companies were afraid to invest any resources in the project as
    1) most of the lyrics were in English,
    2) the cassettes were not Latvian-made,
    3) the music was not very commercial, etc.

  • The financial problems deeply affected the members of HOLY LAMB which led to the departure of Valters Feists and the string/woodwind section as the band stopped playing concerts and even rehearsing together However, work resumed in the fall of 1995, and a number of local shows were done at the end of 1995 and open-air, club and pub concerts were played on the national scale throughout 1996, including the Rock Summer festival in Riga.

  • At the end of 1996, HOLY LAMB started to write more complex music, leading them to the challenging realm of progressive rock, which has always been a big in€uence on most of the band's members. However, this move provided yet another change in the band's line-up, which occurred in the summer of 1997 - exit Janis Valters enter Juris Rats on keyboards.

  • The end of 1997 and all of 1998 was a time of busy writing and rehearsing which led HOLY LAMB to recording four new songs in the summer of 1998 (On The Silent Wings Of Sorrow, My Star Untouchable, Rainfall In Your Heart and Who ever Designed This Game), followed by the most recent recording of "The Sea", a 16 minute epic. This recording also features female vocals courtesy of Leva Parsa, who has by now joined the band as a permanent member.

  • The bad news for the band was that one of the founder members, drummer Eriks Cervinskis, left the band shortly after "The Sea" was recorded and mixed (he's running a small business in Germany now). To replace Eriks, Miks Rullis has recently taken the stool behind the drum kit.

  • HOLY LAMB's international debut, "Salt of the Earth", is to be released in October 1999 via Italy's Mellow Records.

  • Current line-up:
    Aigars Cervinskis - vocals, guitars
    UIdis "Ludis" Élerts - guitars
    Ugis "Kuba" Zemitis - bass
    Juris Râts - keyboards
    Miks Rullis - drums


"Why do we use a holy name of Jesus Christ as a bandname. Some people don't like it and become angry."

Yes, anger is exactly what some people felt towards Jesus, didn't they?

If somebody doesn't like our name, then I believe it's their problem rather than ours. The band has existed 8 years now, and people know us by that name. I'd be lying if I said there has been zero dislike for our band name, but as soon as you've got a hundred or a thousand followers who like it you'd rather stick to it than change it. As to the connotation with Jesus, then I should remind you that he was a victim, and we believe that with our music we bring another victim to the altar of this great art. The band name of Holy Lamb has now turned out to be particularly apt, as it seems that very little real music is alive these days. Plus, if you listened carefully to our material you must have noted the narration on "The Sea" and recognised the source of the spoken words.

By the way, I recall the choice of band name was certainly inspired by Jon Anderson's lyrics to a Yes song called "Holy Lamb".